Leonard Cohen Písně texty, akordy
13. 5. 2008
Famouse blue raincoat
Intro Am7 , F , Dm7 , Em7
It's Am7four in the morning, the Fend of December
Dm7I'm writing you now just to Emsee if you're better
Am7New York is cold, but I Flike where I'm living
There's Dm7music on Clinton Street Emall through the evening.
AmI hear that you're Bm7building your little Am7house deep in the Bm7desert
Am7You're living for Gnothing now, I hope you're Am7keeping some kind of Grecord.
Yes, and CJane came by with a lock of your Ghair
She said that you gave it to Am7her
That night that you planned to go Bm7clear G
FDid you ever go Em7clear?
Ah, the last time we saw you you looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train
And you came home without Lili Marlene
And you treated my woman to a flake of your life
And when she came back she was nobody's wife.
Well I see you there with the rose in your teeth
One more thin gypsy thief
Well I see Jane's awake
She sends her regards.
And what can I tell you my brother, my killer
What can I possibly say?
I guess that I miss you, I guess I forgive you
I'm glad you stood in my way.
If you ever come by here, for Jane or for me
Well, your enemy is sleeping, and his woman is free.
Yes, and thanks, for the trouble you took from her eyes
I thought it was there for good so I never tried.
And Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
Sincerely, L. Cohen
Waiting For The Miracle
EmiBaby I've been waiting DI've been waiting night and Emiday
I didn't see the time DI waited half my life aEmiway
there were Dlots of invitations and I know you sent me D#dimsome H7
but I was EmiwaiDting for the CmiraDcle
for the D#dimmiracle to come H7, Emi
I know you really loved me but you see my hands were tied
I know it must have hurt you it must have hurt your pride
to have to stand beneath my window with your bugle and your drum
and me I'm up there waiting for the miracle
for the miracle to come
Ah I don't believe you'd like it you wouldn't like it here
there ain't no entertainment and the judgements are severe
the Maestro says it's Mozart but it sounds like bubble gum
when you're waiting for the miracle
for the miracle to come
AmiWaiting for the miracle there's Eminothing left to do
H7I haven't been this happy since the Emiend of World War II
R: Nothing left to Amido when you know that you've been taken
nothing left to Emido when you're begging for a crumb
nothing left to Cdo when you've got to go on waiting
D#dimwaiting for the miracle to Hcome
Yeah I dreamed about you baby it was just the other night
most of you was naked ah but some of you was light
the sands of time were falling from your fingers and your thumb
and you were waiting for the miracle
for the miracle to come
Ah baby let's get married we've been alone too long
let's be alone together let's see if we're that strong
yeah let's do something crazy something absolutely wrong
while we're waiting for the miracle
for the miracle to come
R:
When you've fallen on the highway and you're lying in the rain
and they ask you how you're doing of course you say you can't complain
if you're squeezed for information that's when you've got to play it dumb
you just say you're out there waiting for the miracle
for the miracle to come
Why dont you try?
Why don't you Atry to do withC#out him?
Why don't you Dtry to live aAlone?
Do you really need his hands for your C#passion?
Do you Dreally need his heart for your Athrone?
Do you Eneed his labour for your D7baby?
Do you Eneed his beast for the D7bone?
Do you Eneed to hold a leash to be a D7lady?
I Aknow you're gonna Dmake itA , Dmake it Aon your Gown.H, E
Why don't your try to forget him?
Just open up your dainty little hand.
You know this life is filled with many sweet companions,
many satisfying one-night stands.
Do you want to be the ditch around a tower?
Do you want to be the moonlight in his cave?
Do you want to give your blessing to his power
as he goes whistling past his daddy, past his daddy's grave.
I'd like to take you take you to the ceremony,
well, that is if I remember the way.
You see Jack and Jill they're going to join their misery,
I'm afraid it's time for everyone to pray.
You can see they've finally taken cover,
they're willing, yeah they're willing to obey.
Their vows are difficult, they're for each other,
so let nobody put a loophole, a loophole in their way.
Chelsea Hotel
CI remember you Gwell in the FChelsea HotCel,
you were talking so C/Hbrave and so Amolsweet,
Cgiving me Ghead on the Funmade Cbed,
while the Flimousines wait in the Gstreet.
AmolThose were the reasons and Fthat was New York,
we were Crunning for the C/Hmoney and the Amiflesh.
FAnd that was called love for the Cworkers in song
probably Fstill is for those of them Gleft.
Ah but Fyou got away, Cdidn't you babe,
you just turned your C/Hback on the Amolcrowd,
Fyou got away, I never once heard Cyou say,
FI need you, I don't Cneed you,
FI need you, I don't Cneed you
and Fall of that jiving Amiaround.G
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend.
You told me again you preferred handsome men
but for me you would make an exception.
And clenching your fist for the ones like us
who are oppressed by the figures of beauty,
you fixed yourself, you said, Well never mind,
we are ugly but we have the music.
And then you got away, didn't you babe...
I don't mean to suggest that I loved you the best,
I can't keep track of each fallen robin.
I remember you well in the Chelsea Hotel,
that's all, I don't even think of you that often.
Intro Am7 , F , Dm7 , Em7
It's Am7four in the morning, the Fend of December
Dm7I'm writing you now just to Emsee if you're better
Am7New York is cold, but I Flike where I'm living
There's Dm7music on Clinton Street Emall through the evening.
AmI hear that you're Bm7building your little Am7house deep in the Bm7desert
Am7You're living for Gnothing now, I hope you're Am7keeping some kind of Grecord.
Yes, and CJane came by with a lock of your Ghair
She said that you gave it to Am7her
That night that you planned to go Bm7clear G
FDid you ever go Em7clear?
Ah, the last time we saw you you looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train
And you came home without Lili Marlene
And you treated my woman to a flake of your life
And when she came back she was nobody's wife.
Well I see you there with the rose in your teeth
One more thin gypsy thief
Well I see Jane's awake
She sends her regards.
And what can I tell you my brother, my killer
What can I possibly say?
I guess that I miss you, I guess I forgive you
I'm glad you stood in my way.
If you ever come by here, for Jane or for me
Well, your enemy is sleeping, and his woman is free.
Yes, and thanks, for the trouble you took from her eyes
I thought it was there for good so I never tried.
And Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear
Sincerely, L. Cohen
Waiting For The Miracle
EmiBaby I've been waiting DI've been waiting night and Emiday
I didn't see the time DI waited half my life aEmiway
there were Dlots of invitations and I know you sent me D#dimsome H7
but I was EmiwaiDting for the CmiraDcle
for the D#dimmiracle to come H7, Emi
I know you really loved me but you see my hands were tied
I know it must have hurt you it must have hurt your pride
to have to stand beneath my window with your bugle and your drum
and me I'm up there waiting for the miracle
for the miracle to come
Ah I don't believe you'd like it you wouldn't like it here
there ain't no entertainment and the judgements are severe
the Maestro says it's Mozart but it sounds like bubble gum
when you're waiting for the miracle
for the miracle to come
AmiWaiting for the miracle there's Eminothing left to do
H7I haven't been this happy since the Emiend of World War II
R: Nothing left to Amido when you know that you've been taken
nothing left to Emido when you're begging for a crumb
nothing left to Cdo when you've got to go on waiting
D#dimwaiting for the miracle to Hcome
Yeah I dreamed about you baby it was just the other night
most of you was naked ah but some of you was light
the sands of time were falling from your fingers and your thumb
and you were waiting for the miracle
for the miracle to come
Ah baby let's get married we've been alone too long
let's be alone together let's see if we're that strong
yeah let's do something crazy something absolutely wrong
while we're waiting for the miracle
for the miracle to come
R:
When you've fallen on the highway and you're lying in the rain
and they ask you how you're doing of course you say you can't complain
if you're squeezed for information that's when you've got to play it dumb
you just say you're out there waiting for the miracle
for the miracle to come
Why dont you try?
Why don't you Atry to do withC#out him?
Why don't you Dtry to live aAlone?
Do you really need his hands for your C#passion?
Do you Dreally need his heart for your Athrone?
Do you Eneed his labour for your D7baby?
Do you Eneed his beast for the D7bone?
Do you Eneed to hold a leash to be a D7lady?
I Aknow you're gonna Dmake itA , Dmake it Aon your Gown.H, E
Why don't your try to forget him?
Just open up your dainty little hand.
You know this life is filled with many sweet companions,
many satisfying one-night stands.
Do you want to be the ditch around a tower?
Do you want to be the moonlight in his cave?
Do you want to give your blessing to his power
as he goes whistling past his daddy, past his daddy's grave.
I'd like to take you take you to the ceremony,
well, that is if I remember the way.
You see Jack and Jill they're going to join their misery,
I'm afraid it's time for everyone to pray.
You can see they've finally taken cover,
they're willing, yeah they're willing to obey.
Their vows are difficult, they're for each other,
so let nobody put a loophole, a loophole in their way.
Chelsea Hotel
CI remember you Gwell in the FChelsea HotCel,
you were talking so C/Hbrave and so Amolsweet,
Cgiving me Ghead on the Funmade Cbed,
while the Flimousines wait in the Gstreet.
AmolThose were the reasons and Fthat was New York,
we were Crunning for the C/Hmoney and the Amiflesh.
FAnd that was called love for the Cworkers in song
probably Fstill is for those of them Gleft.
Ah but Fyou got away, Cdidn't you babe,
you just turned your C/Hback on the Amolcrowd,
Fyou got away, I never once heard Cyou say,
FI need you, I don't Cneed you,
FI need you, I don't Cneed you
and Fall of that jiving Amiaround.G
I remember you well in the Chelsea Hotel
you were famous, your heart was a legend.
You told me again you preferred handsome men
but for me you would make an exception.
And clenching your fist for the ones like us
who are oppressed by the figures of beauty,
you fixed yourself, you said, Well never mind,
we are ugly but we have the music.
And then you got away, didn't you babe...
I don't mean to suggest that I loved you the best,
I can't keep track of each fallen robin.
I remember you well in the Chelsea Hotel,
that's all, I don't even think of you that often.